La veste/trappola di Agamennone fra realtà drammatica e immaginario pittorico
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Taking as a starting point Isabella Nova’s discussion of the scene of Agamemnon’s death painted in the well-known krater Boston, Museum of Fine Arts 63. 1246, the article discusses the nature of the deadly peplos which entangles the king, and the relationship between the vase and Aeschylus’ treatment of the same subject. The two artists, independently, seem to have conceived the cloth in a similar way; it is also possible that the painter tried to represent Agamemnon as still wet after the bath: this remains, however, a controversial point.
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