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Vita e Pensiero

Luc. Dmar. 14: Perseo e Andromeda tra iconografia e teatro (con un’appendice su Dmar. 12) digital
formato: Articolo | AEVUM ANTIQUUM - 2018 - 18
Anno: 2018
This paper analyses Lucian’s DMar. 14, on Perseus and Andromeda, under a double perspective: intertextual and intervisual. On the one hand, it clarifies Lucian’s debts towards Euripides’ Andromeda – apparently, its main literary model...
€ 6,00
La Musa al servizio del poeta. Sul testo di Stazio, silv. IV 7, 1 digital
formato: Articolo | AEVUM ANTIQUUM - 2018 - 18
Anno: 2018
At Statius, silv. IV 7, 1 the paradosis sociata has long been suspected of being corrupt: the most recent editors print the humanistic conjecture spatiata. This note aims at defending the MSS reading as an example of those ‘flights’ which are at the centre of Pindarus’ poetry, the Greek model explicitly invoked by Statius...
€ 6,00
Strategie retoriche e influenze declamatorie nell’ottavo libro del Bellum civile di Lucano digital
formato: Articolo | AEVUM ANTIQUUM - 2018 - 18
Anno: 2018
Lucan’s poem has long been accused of an excessive influence of the rhetorical and declamatory practice. Even if this view cannot be upheld anymore, the inner consistency of poetry and rhetoric in the Bellum Civile has hitherto been asserted more than demonstrated...
€ 6,00
AEVUM ANTIQUUM. Abbonamento annuale 2020. Privati Italia carta + web digital
formato: Abbonamento cartaceo + digitale | editore: Vita e Pensiero | anno: 2020
Anno: 2020
Abbonamento annuale alla rivista AEVUM ANTIQUUM.
€ 48,00
AEVUM ANTIQUUM - 2017 - 17 digital
formato: Fascicolo digitale
Anno: 04/2019
Fascicolo annuale del 2017
Theatron: dal testo alla scena. Premessa al Forum digital
formato: Articolo | AEVUM ANTIQUUM - 2017 - 17
Anno: 2017
€ 6,00
Maschera e comicità nel teatro popolare italico digital
formato: Articolo | AEVUM ANTIQUUM - 2017 - 17
Anno: 2017
The Atellan farce, a popular form of theatrical entertainment which originated from the Oscan town of Atella and was performed in Latin outside Campania, is generally referred to as a theatre of improvisation. Its comic character is based on the use of fixed characters and situations.
€ 6,00
L’attore tragico: suoni, voci e parole digital
formato: Articolo | AEVUM ANTIQUUM - 2017 - 17
Anno: 2017
How does the tragic actor’s voice work in the theatrical space? This paper aims to focus on some episodes – narrated in the ancient sources – concerning the vocal performance.
€ 6,00
«Imitando appositamente in forma sciolta la prosa»: una modalità espressiva nelle commedie di Aristofane digital
formato: Articolo | AEVUM ANTIQUUM - 2017 - 17
Anno: 2017
Scholars have recognized in Aristophanes’ comedies a few passages written in prose: these are the traditional extra metrum sentences or interjections, prayers and loyal texts such as decrees (real or fictitious).
€ 6,00
Éloquence et spectacle du geste dans la comédie ancienne, sur la scène aristophanienne et les vases comiques digital
formato: Articolo | AEVUM ANTIQUUM - 2017 - 17
Anno: 2017
Based on the analysis of Aristophanes’ plays and comic vases, this paper underlines the visual impact of the gestures performed in Old Comedy, especially in paratragic scenes.
€ 6,00
L’arte mimetica di due attori del IV sec. a.C.: il tragico Teodoro e il comico Parmenone digital
formato: Articolo | AEVUM ANTIQUUM - 2017 - 17
Anno: 2017
The reports on the artistic activities of two actors of the fourth century B.C. are analyzed in parallel.
€ 6,00
Comicità e modelli di performance digital
formato: Articolo | AEVUM ANTIQUUM - 2017 - 17
Anno: 2017
This paper would outline which delivery and gestures could be appropriate in Rome between first century BC and the first century AC to an orator who would arouse a smile in the audience or provoke laughter, now to gain the benevolence of the judges, now to ease the tension in the audience, or to discredit the counterparty in a process, turning laughter into mockery.
€ 6,00